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Culture · National

Gintama Director Promises Full-Blown Fire in New Theatrical Release

The fourth film in the anime franchise debuts in Italy with over 200 retouched shots and a new ultrawide 3D presentation.

By Noor Graham ·

Illustration for: Gintama Director Promises Full-Blown Fire in New Theatrical Release
Illustration generated for this article, not a news photograph.

Director Naoya Ando confirmed that the town of Yoshiwara finally burns in the upcoming theatrical release of “Gintama: Yoshiwara in Flames.” The film previews this week at Lucca Comics and Games in Italy, marking the first time a “Gintama” movie has screened in Europe.

The production team retouched more than 200 shots for a revised version released in September. This follows the initial Japanese theatrical debut in February. Ando stated the team returned to the footage to perfect specific scenes that were not flawless in the first cut.

The film utilizes CinemaScope ultrawide aspect ratios and 3D animation. Ando explained that this technical choice allows the camera to maintain distance from subjects. The approach emphasizes the design and setting of the environment while providing greater variety in shot framing.

“Gintama” originates from a manga by Hideaki Sorachi. The story is set in an alternative sci-fi version of late-Edo-period Tokyo. The planet has been invaded by the Amanto, an alien species. Three friends embark on a personal mission within this setting. The franchise previously consisted of a 367-episode television series and three other theatrical films.

Producer Ryo Nakamuray addressed the challenge of adapting a popular manga arc for the big screen. He noted that the original story was highly popular in both the manga and anime formats. The team had sufficient time and a larger budget to work on the project at a different scale.

Ando highlighted advancements in animation technology over the five years since the TV series concluded. The crew used these new tools to push the film in new directions. The production also features a substantial amount of new music composed for the theatrical release.

The film involves coordination with multiple animation studios across Asia. Nakamuray explained that the team divides work by specialty. Some studios focus on character work, while others handle action sequences. A team leader at each studio is responsible for the quality of their specific output.

The movie retains the series’ heavy use of humor and meta-humor. Ando acknowledged that translating this style across cultures is difficult. The team assigned a specific director to oversee the comedic elements. They chose to let characters joke among themselves rather than explicitly signaling to the audience that a moment is meant to be funny.

Ando expressed satisfaction with the reception at the Lucca event. He observed that Italian fans showed strong enthusiasm for the series. The warmth of the audience reception provided encouragement for the team’s decision to bring the franchise to European markets.

The film’s title references the burning of the Yoshiwara district. Ando confirmed this visual element was a creative decision made with producer Takashi Maekawa. The team agreed to depict the destruction fully in this version, unlike the television adaptation where the town did not burn.

Source: Variety

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